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A recent trip to this area, never previously explored by Kesel yielded some spectacular results and some disappointments. Death Valley is the largest of the Nation’s National Parks. We had the equivalent of 3 full days to explore it East to West and North to South. We had a good itinerary mapped out that would get us to all of the key locations we wanted to capture—at the optimum time with regard to light. However, you cannot always account for variables such as weather.
On the second day, a storm was moving in from the California coast. We made a 3-hour drive to the East edge of the Sierra Nevada’s, only to find heavy cloud cover and that snowfall had already begun. Waiting until sunrise to photograph Mount Whitney framed in the Natural Arch (which was our plan), was not going to happen. So we raced back to Death Valley and photographed the Polygons at Badwater. By this time, the wind was blowing at about 50 mph.
Next morning, after a successful sunrise shoot at Briske Point, we rented a Jeep to drive 2.5 hours to a location called the race track. We were hoping for sun on this dry lake bed which would highlight the texture of the dry mud and, with some luck, to find one of the rocks that had created a trough behind it from sliding downhill when the occasional rain fell in this area. We drove from 100 ft below sea level to about 2500 ft above sea level. At about 2,000 ft. the snow began coming down and when we reached the Race Track, it was completely covered with snow.
Two more mornings, one overlooking the valley from 5500 ft., with temperature of 26 degrees and a second shot at Zabriske Point were both rewarding. At the end of our last full day, we went back out onto the salt beds (about 200 ft below sea level) to photograph the polygons again. The winds were quieter this time and the skys (due to the storm moving through) were spectacular.